Four stories set between the 60s and the 70s in Italy. Four personal female adventures crossing the path of Italian history, the struggle for women rights, the liberation of the body, in a country without memory.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.
