
Aurélia is a young black woman who works at a factory and lives in a working-class neighborhood in São Paulo, whose boyfriend Fábio gets involved with a racist neo-nazi group.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).