"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Clea takes up her position as CEO of a promising company. After analysing the accounts, her first decision is to compete with the two sales managers in place, a man and a woman, by asking them to win a big contract with a key customer. Determined to fulfill their mission and thus attract the favor of their new boss, Tiffany and Charlie will push their limits and allow themselves sexual pleasures unheard of in their professional setting ... Playful and often perverse, the new boss will not be content to count the points!
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
The assassins in Bullet Train are quirky, deadly, and diverse. Yet, they all seem to be some type of caricature. While the movie is fun and action-packed, it’s also packed with stereotypes that don’t make for the best representation.