"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Director Werner Herzog, one of the most highly acclaimed German film makers, joins forces with the great Italian conductor Riccardo Chailly to effect a masterful rendition of this rarely-performed opera involving spectacular scenes of alternating light and dark, pageantry and intimacy. Staged and recorded at Teatro Comunale di Bologna in Bologna, Italy.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Disney's newest Latine animated musical, 'Encanto', features a super colorful cast, fun music, and a surprising conflict about intergenerational trauma.
A Christmas tale that everyone is wishing for, and that everyone will remember.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.