“Host:” Quarantine Horror for the Online Generation
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

The Chinatown in Milan is highly problematic, recording several murders a year, perpetrated with meat-axes, in the streets, by the light of the sun. When an Italian guy asks a Chinese girl's hand in marriage, this triggers a domino-like plot of confrontations among a crowd of characters. Starting from the focus on one of the largest and oldest Chinatowns in Europe, the film carries the spectators into a universal metaphor on hatred and dreams between West and China.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
"His Girl Friday" set the bar for romcoms and gave us a feminist heroine before feminism was cool.
This list was made with the intention of celebrating comedic craft and a love of seeing more women of colour and newcomers on the scene.