When a mysterious letter appears on the day they are being evicted, Elizabeth and her father can’t believe their luck to discover they've inherited Echoville Manor, a sprawling, thirty-seven room estate. Upon arriving, Elizabeth finds that the mansion is inhabited by the world’s cutest spirit, Ghoster, who has been trapped within a mirrored prison there for fifty years. Together, they must uncover the secrets to Echoville to free Ghoster before the nefarious Yuto captures her soul as well in his quest for immortality.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.
Apparently, nothing's ever enough. It has its flaws, but does that warrant the amount of criticism 'Barbie' is subject to?
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
