
In a film set in which their home offices have been recreated, six European microworkers share experiences with the filmmaker and with each other, offering an affecting critique on changing labour conditions. Ghost Workers is a cinematic research project into the people conducting the often hidden labor necessary to make artificial intelligence work. Working from home, not being recognized as a worker by the platforms that they work for and being misunderstood by family and friends all together creates strong feelings of isolation. Therefore, the filmmaker invited six workers from across Europe to share their work experiences with her and with each other. Focusing on the theme of isolation and recognition as a ‘real worker,’ the film engages in a collective conversation about this type of work.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.