‘Malcolm & Marie’ Review: A Promising Premise With Disappointing Results
Sam Levinson's latest film can't keep up with the excellence of its performances.

The father of the seventeen-year-old Katinka is a huge fan of the Dutch comedian Hans Teeuwen. The small house of the Vermeulen family breathes him: the TV blares Hans Teeuwen shows all day long, there are posters everywhere and numerous CDs and DVDs swing through the room. The Teeuwen Excess leads to fears and delusions in Katinka. She gets nightmares in which Hans Teeuwen reveals himself to her: she hears his voice regularly and she thinks she sees him appear now and then. Katinka tells her psychiatrist about her nightmare that Hans Teeuwen rapes her teddy bear while calling out her name. The psychiatrist advises her to meet Teeuwen in real life, because in this way she may be able to adjust the image she has created herself.
Sam Levinson's latest film can't keep up with the excellence of its performances.
An animated reboot based on the book of the same name, with differences from the live-action movie of the same name.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.