Roberto and Daniela are two siblings who live in a world of wealth and glamor thanks to the shipping company they inherited from their father. Both share the direction of the company, although they have a completely opposite attitude to life: Daniela is thorough and perfectionist; Roberto, on the other hand, is a visionary genius who hates the meticulousness of his sister. However, both find the way out of their disagreements when they fall in love with the same woman: Isabel (Dolera), a monologist who Roberto has hired to seduce Daniela and so be as fun as she was before taking the address of the company.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
Life may find a way, but is it worth testing its fierceness and how far it will go?
Overall, Cruella stands above the other Disney retellings. Its dark and bold, and that is exactly what these retellings should be. Emma Stone continues to prove she's one of the finest young actresses working today, and Emma Thompson gives one of the best villain performances in the last decade. The fashion is stunning, the dogs are adorable, and the story is wildly vibrant and original. It's classic movie fun, and it shouldn't be overlooked.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
The Brazilian filmmaker Alexandre Alonso’s Hunter is a film with a lot of ideas, but with very little holding those ideas together.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
