Living People in "It Was Just an Accident"
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Gestures (1974)
Assuming roles of both performer and director in "Gestures", Wilke explores her own face as artistic material. Whether kneading her skin into misshapen contortions or enacting stereotypical poses, she stages a fluid, continuous sequence of actions in front of the camera. Her performance calls attention to and deconstructs familiar representations of women, as well as encourages the viewer's personal or cultural associations with these gestures while also reclaiming agency over such depictions as her own.
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Assuming roles of both performer and director in "Gestures", Wilke explores her own face as artistic material. Whether kneading her skin into misshapen contortions or enacting stereotypical poses, she stages a fluid, continuous sequence of actions in front of the camera. Her performance calls attention to and deconstructs familiar representations of women, as well as encourages the viewer's personal or cultural associations with these gestures while also reclaiming agency over such depictions as her own.
Rating:
Genre:Documentary
Written By:
In Theaters:6/11/1974
Box Office:
Runtime:33 minutes
Studio:
Cast
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