Gerhana 

I Love You Forever, marketed as a “subversive” romantic comedy is in fact a painful horror film about a young woman deep in the throes of an abusive relationship.

A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.

Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York

Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes. 

Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes