Supergirl – the Bravery and Ferocity of Dark Feminine Energy
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."

During the day, Lera studies humankind and its needs through opinion polls, which are an educational practice at the institute; at night, she dances under the pseudonym Gerda in a club to support herself and her mother. The people she meets are as unfortunate as her family. Her father has recently left for another woman, but he constantly returns home, unable to make his choice and thereby making the life of close people intolerable. The mother painfully endures the breakup and constantly sleeps, ignoring reality. Lera doesn’t know how to carry on, where to go and what to live for, and — most importantly — how to improve life. The adult world, invariable unfortunate, which Lera observes day and night, seems hopeless.
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
While the director didn't set out to make a feminist film, "A Girl Walks Home Alone At Night" reads as a reclamation of female power in a patriarchal society.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.