New Movie Releases: April 2021
New releases in April 2021.

This set is a 25 year retrospective of Michael's career. Included are tracks with Wham!, Aretha Franklin, Sir Elton John, Mary J. Blige, and Whitney Houston. Though he made his initial mark on music history as half of the infectious British pop duo Wham!, singer/songwriter George Michael went on to a highly successful solo career that proved he was more than just a pretty face. In 2007, Michael marked the 25th year of his long-running recording career, and this comprehensive collection heralds the icon's longevity with music videos for every one of his pop hits, from the buoyant "Wake me Up Before You Go-Go" to the lusty "I Want Your Sex" to the political commentary of "Shoot the Dog."
New releases in April 2021.
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
At Coopers Chase, murder isn’t just tragedy—it’s Thursday’s entertainment. Chris Columbus’ The Thursday Murder Club transforms Richard Osman’s bestselling series into a cozy, clever whodunit where Helen Mirren, Pierce Brosnan, Ben Kingsley, and Celia Imrie prove that life’s sharpest twists don’t stop with age. With llamas on the lawn, cakes at the ready, and secrets around every corner, this star-powered mystery balances charm, humor, and heartache, reminding us that friendship, resilience, and reinvention might just be the ultimate clues.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.