Transgender Representation in “Pose”:Season 1
Pose tells stories of queer joy and love in a time of intense hate and sadness.

A single mother who is denied work to support the son she had with the aristocrat who had seduced her, is helped by a singer, a director of orchestra and an American female singer, who get her shelter in the humble pension where they live.
Pose tells stories of queer joy and love in a time of intense hate and sadness.
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
Directed by George Miller, Thunderdome continues to follow the titular character through post-apocalyptic Australia.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.