In a world where every thought has already been thought, Blue a determined think entrepreneur defies the odds and discovers an original idea that has the power to revolutionize humanity's understanding of the universe but as powerful forces conspire to suppress this groundbreaking thought, Blue must embark on a dangerous journey to protect his discovery and bring it to light.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
‘Sexy Beasts’ promotes itself as different from other dating shows as being not appearance-based. This is true to some extent thanks to the special effects makeup. However, looks do still play a role despite the masks.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
