‘Outside the Wire’ Review: Netflix’s Latest Mediocre Sci-Fi Flick
Step deep into the 21st century and discover the complexities of artificial combat soldiers.

Five intertwined stories. Two lovers stay 24 hours under the sheets. A wealthy girl is trapped in an elevator with a messenger and an accountant. A group of writers get drunk with mezcal in a van, recalling their eighties times. A psychoanalyst locks herself in the bathroom to commit suicide and an executive and mother hides in the brooms closet of her office to heal her broken heart with wine.
Step deep into the 21st century and discover the complexities of artificial combat soldiers.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.
An action film led by two queens, fighting for what they believe in through power and pain.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
Chickenhare and the Hamster of Darkness explores true identity through exploration.