Yakup, a Turkish music teacher seeking asylum in New York, is separated from his wife and young daughter, who remain under surveillance back home. When his asylum case stalls, he faces an impossible choice: wait years for legal reunification or risk everything to bring his family out by dangerous, clandestine means. Alone in an unfamiliar city, Yakup becomes increasingly consumed by the distance between himself and his family. As the wait stretches on, his obsession with reuniting his family begins to warp his sense of time, memory and reality. The more desperate he becomes, the less certain he is of who to trust and what is happening around him.
'Sex Education' is one of the most diverse shows I've ever seen! From sexuality to gender identity to race, this show features so many minorities and so many different kinds of relationships!
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
This glimpse into this world is so captivating that it is an easy must-see, nearly flawless, and exceptional in every way.
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
More than a coming-of-age story, Caity is a movie about losing the naivety of childhood before you're ready to.
