The Enduring Beauty of “Persepolis”
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.

After his release from prison, notorious ex-con and moonshine distiller Gator McKlusky moves in with his father in a cabin in the Okefenokee Swamp. His bootlegging plans are cut short, however, when a federal agent tells McKlusky that he will lose custody of his 9-year-old daughter unless he helps bring down local crime lord Bama McCall. McKlusky enlists the help of reporter Aggie Maybank and a few local eccentrics to bring down McCall's empire.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
When long-time couple Jenny and Nate break up so Jenny can pursue her journalism career, Jenny leans on her two best friends for one last epic night in the city.