Her Phone Has Been Set to 'Airplane Mode'
'Airplane Mode' is a young adult movie that is about a woman who learns to step away from her smartphone, and from social media.

In 1955, what was known as the "Algerian War" gradually escalated into all-out war, and the French army inexorably transformed into a soldiery accustomed to colonial humiliation and massacres. Amar is a young deaf and mute man who wants to join the resistance, but he is rejected because of his disability, despite all the training he received from his father, who was an expert in hunting and horses. The raid on his village, which he watches helplessly, drives him to seek revenge, he who had until then been locked away in "The Gates of Silence."
'Airplane Mode' is a young adult movie that is about a woman who learns to step away from her smartphone, and from social media.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
Madres takes place in the 70’s following a Hispanic married couple who move to a migrant farming community. Diana, who is pregnant, starts to become suspicious of their new environment after she and the women around her develop strange symptoms. Could it be a curse, a sickness, or something else?
The Incluvie predictions for various categories in the upcoming 2022 Academy Awards nominees. Best Picture, Actor in a Leading Role, Actress in a Leading Role, Animated Feature Film, Directing, Documentary.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.