In 'The Patient,' Patience Doesn't Really Pay Off
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.

On the morning of October 14, 1916, when a young scout discovers that the dreaded German army has arrived unhindered near Târgu-Jiu, he hurriedly informs the city commissioner Ioan Popilian and, together with some policemen and scouts, helped by some civilians remaining in the already evacuated city, fights at the Jiului Bridge to stop the enemy from occupying the city until the arrival of the Romanian army. The occupation of the bridge would have led to the occupation of the railway station, which would have allowed the German army to stop the retreating Romanian army. A movie based on a true story.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
The height of subversive horror cinema is Jennifer’s Body. No, I will never budge on that. Yes, Cabin in The Woods is funny, Scream is very well made, and the Scary Movie franchise is …. there. But nothing is quite as satisfying as watching the teenage succubus that is Jennifer Check rip apart boys. In the post #metoo era where the industry is far from changed, watching revenge flicks like these is probably one of the most cathartic experiences due to the slow-moving progress being made.
Years before Mexican director, Alfonso Cuaron, was winning Academy Awards for movies like Gravity (2013) and Roma(2018), he directed a small, intimate film about two best friends who decide to embark on an improvised road trip to spend time with an older, attractive woman who miraculously agrees to go with them. Y tu Mamá También is a deep journey into the raw sexuality and friendship of the young protagonists, as well as a subtle social and political commentary on Mexico at the time.
'Thirteen Lives' gives a dramatic adaptation of a humanitarian triumph that captured the global imagination.
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
"King Richard" paints a nuanced portrait of a Black father trying to ensure his daughters’ success in a racist, misogynistic world. Yet, Richard and his kids overcome that fear and adversity to succeed.