Animal Farm: Viva la Dystopia
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.

Garland Jeffreys, the mixed-race Brooklyn native whose music defied industry norms, receives long-overdue recognition in this enlightening documentary. His unique fusion of folk, soul, and rock earned him accolades abroad, yet left him underrated at home. Jeffreys’ story, narrated from his NYC home and featuring interviews with fans like Harvey Keitel, Laurie Anderson, and Vernon Reid sheds light on the life and artistry of an unclassifiable talent.
This incarnation of Animal Farm is filled with the generic plot points, immature humor, cardboard characters and visual flaws that you have come to know from today’s lesser children’s films.
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.
Overall this movie was an easy watch, but by no means a worthwhile watch.