"Marriage Story" is no "Kramer vs. Kramer"
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.

Odaiba, on the Tokyo Bay waterfront. The Odaiba Boys—a gang based here, comprising Sancon, Shu, Zaza, Jiji, Muzzle and the rest—were hanging out as usual. One day, a woman named Rei appeared before them, claiming she was searching for their leader, Nao, who had gone missing two years earlier. Around the same time, a masked man calling himself Nao appeared before rival gangs—the Kawasaki Security Squad and the Tsurumi Cruise CATS—and ran riot. Was this really Nao’s doing? Behind the scenes, a grand scheme was unfolding, orchestrated by a Member of the House of Representatives seeking to line his pockets and the Kōryū-kai, the yakuza organisation that controls Odaiba.
"Marriage Story" is a narrow-minded and heavy-handed attempt to examine the complexity of human relationships.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
This Japanese Anime movie is about Kanna, a young girl who sets on a quest across Japan to discover her true identity.
The film, which focuses on an Argentinian family during an intimate birthday dinner, efficiently captures the eccentricities of each character as well as the nuances of their interpersonal dynamics.