An 80-year-old widower, Mr. Elias, goes to his village (Perithorio, where he had been president of the community for twenty-four consecutive years) to vote in the municipal elections. There he meets his childhood sweetheart (Fotini, also a widow). Their youthful engagement had been broken off due to a misunderstanding, but now their love is rekindled and they are considering marriage, despite the opposition of Fotini's daughter. When one day the village madman announces their rendezvous, the elderly couple, panicked, take the bus and flee to Drama. There they spend carefree, tender moments, but Mr. Elias' son, Aristides, finds them and forces them to return. However, the big decision has already been made, and when Mr. Elias' pension for former mayors and community presidents comes through, nothing can stop the couple anymore. Fotini comes to Athens and, together with Elias, they visit her grandson.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
A young girl named Copi and her pet dog Xico travel into the mountain when they hear that something's not right.
Typically in film, characters suffering from mental illness are used as plot devices or exaggerated for comedy. 'The House that Jack Built's representation exceeds in accuracy and realism of OCD.
“Trust your gut" is one of the most common pieces of advice you’ll receive during your lifetime. And as a person inclined to trust my intuition above all else, it’s the most common advice I find myself giving in real life and in my online socialising. But what happens when your gut is trying to warn you that something is seriously wrong without you being able to identify what triggered it in the first place? How can you act on a feeling or make it go away when you don’t have a clue about what could be wrong? How can you trust your intuition when you don’t know what makes it act out in the first place?
This list was made with the intention of celebrating the craft. I love seeing more women of colour on this list than before and more newcomers on the scene as well!
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
