Hazel Dawn starred as Clarissa, who upon graduating from a private girl's school learns that her widowed father has remarried. At first resentful of her new stepmother (Dorothy Bernard), Clarissa slowly warms up to the woman. Later on, the heroine falls in love with a handsome attorney named Gambier (James Kirkwood), only to be disillusioned when she catches the attorney and the stepmother in a warm embrace.
I highly recommend Dark Waters. It’s a highly engrossing picture, which lends itself to cautionary storytelling. The dark information continually grows, inspiring change and accountability altogether. Overall, Haynes’ picture will not be known for its inclusiveness--but it will be known for being a fantastic, engrossing film.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
A family drama is woven with quiet yet powerful forces of words and nature.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
This Agni Kai looks cool and is funny as well!
