“Pressure” Puts on the Pressure
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.

The story centers around a three-generation family and the memories of Hiroshima between 1975 and 2025. Back in 1975, Hiroshima is slowly rebuilding itself after the atomic building. There, lives Ogaki Sachie, a mother who survived the postwar era and single-handedly raise her two daughters while operating a local coffee house. Half a century later, in present-day Hiroshima, Sachie's granddaughter, Kuramochi Yuki, is now an employee at a local TV station and is assigned to produce a special program. She decides to talk to grandmother who brings up the untold past of Hiroshima for the first time.
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
The quiet ache of guilt sitting at the dinner table, the silence after a truth is buried, and the way pain is passed down like a name.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
Is God Is tells a harrowing tale of retribution, sisterhood, and gender based violence. Far too eerie and clever to be an ordinary slasher, but too gory and merciless to be an ordinary thriller, Is God Is will appeal to the highbrow horror lover with generational trauma anywhere.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.