“Spider-Man: Brand New Day” Isn’t Very New
This is a film that is going to leave some people bored, and some people thrilled.

The story centers around a three-generation family and the memories of Hiroshima between 1975 and 2025. Back in 1975, Hiroshima is slowly rebuilding itself after the atomic building. There, lives Ogaki Sachie, a mother who survived the postwar era and single-handedly raise her two daughters while operating a local coffee house. Half a century later, in present-day Hiroshima, Sachie's granddaughter, Kuramochi Yuki, is now an employee at a local TV station and is assigned to produce a special program. She decides to talk to grandmother who brings up the untold past of Hiroshima for the first time.
This is a film that is going to leave some people bored, and some people thrilled.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
As a huge fan of Sean Baker’s Tangerine, The Florida Project, and Red Rocket, I’ve wanted to watch Anora since before it even was released. But life got in the way, my watchlist grew, and honestly, the fact that it was marketed as a romantic comedy put me off. Even with all the critical praise and the five Academy Awards it won last year, I just kept postponing it indefinitely.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.