On the 9th of April 2021, La Soufrière, St. Vincent and the Grenadines' volcano, began to erupt explosively. The eruptions were still ongoing for a while, and by the second it was sending volcanic ash to my homeland, Barbados. Houses, cars, roads and much more were covered by the ash. Citizens of St. Vincent were evacuated but some had either been left behind or been put in life-threatening situations. Their water supply was being cut off, electrical power, and they were running out of food supplies and some had nowhere to sleep at night. This film wasn't made to make St. Vincent or Barbados look bad in any way, shape or form. I just really like the apocalyptic feel it gave to the surroundings and I decided to use it to its potential. I named it "Future" because it reminds me of what I think the future will look like due to mankind's ignorance.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
New horror film "Pretty" is good to look at thanks to 19-year-old director Metecan Duren.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
The film is bogged down with one-off rain monster threats that always come to a quick and undramatic end
Overall, 18 Presents feels more like a soap opera than a drama, and I feel bad for saying that since the concept is based off a tragic story (even though it’s loosely). I’m sure other people will find this film emotional for them, but as for me, it’s bland and forgettable.
Disney+ recently released six short films entitled the “Launchpad” collection in which diverse directors tell diverse stories. These shorts are exactly the kind of films we here at Incluvie want to see more of. These are stories of intersectionality, inclusion, and diversity. And every short stars a cluvie!
