"Backrooms" Succeeds
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.

Tokio Takenaka (48) is a scriptwriter who's lost his passion for his work, and whose relationship with his wife Madoka (37) has turned sour. He spends his days lost in a haze. One day, a girl named Yoshimi Yokoyama (21) barges into his office, saying that she's a huge fan of his work and aiming to be a scriptwriter herself. Overcome by her enthusiasm, he agrees to take her in. As they work together, he begins to sense her talent as a writer, and at the same time, comes to feel sexually attracted towards her. Soon he's writing scripts that he's proud of again, and begins to feel fulfilled in both his private and work lives. But it doesn't take long before he learns about her boyfriend and fellow scriptwriter Hideo Tanaka (20). He becomes madly jealous, but.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
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These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.