A mousetrap snaps shut. A dusty town square awakens. A group of men debate how to kill the animal in the little box – each trying to outdo the others’ increasingly sadistic fantasies. Until a stranger suggests letting the creature loose. A voice of reason? Or the sickest manipulator of them all?
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
I have no idea how getting an abortion is still not a basic right at this point, but that means the fight is far from over. So, films like Happening are ever-relevant.
A review of the Ryan Polomski documentary featuring the story of Basketball star Raymond Lewis.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
An attempt to capture nostalgia that unfortunately just doesn’t work
