‘Malcolm & Marie’ Review: A Promising Premise With Disappointing Results
Sam Levinson's latest film can't keep up with the excellence of its performances.

Daniel, a military man, 20, wanting to "try something new." He is bisexual and enjoys the single life; loves being fucked and fucking. Ricky is 21 and "very open minded" when it comes to sex; "I guess I'm bi," I've always admired the male form." When Ricky undresses, I myself appreciate the male body and Ricky's is one of the best I've seen. Shawn Laine is a bottom who enjoys, "hard cocks." He stands 6'3", has a 9" monster cock and never fucked a guy with it, pity. Kevin Reed is a 22 year old Marine, living in the San Diego area. His experience with guys really started in college; at 19, he had a friend who made a move on him. The other guy was going to bottom, but once his saw the "monster" in Kevin's pants, "we just blew each other." Joey is a 22-year-old baby faced guy who likes working out, playing sports and prefers women, but has messed around with guys.
Sam Levinson's latest film can't keep up with the excellence of its performances.
You can have the best filmmaker and cast in the world, but if the script is lacking, you’re in a troublesome state. Such is the case with Gemini Man, a film full of tremendous artists.
KPop Demon Hunters took social media by storm recently—is it truly as good as people have hyped it up to be?
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
The Conjuring: The Last Rites delivers a thrilling mix of scares and heart. From the axe-wielding ghost to the Warrens’ emotional farewell, Patrick Wilson and Vera Farmiga shine. Fans get a chilling, atmospheric conclusion that’s worth watching in theaters.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.