Garden of an Angry God: when the nightmare of guilt crawls out to the daily life
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.

An immigrant artist in Iowa retreats to frozen prairies, forests, and swamps, trying to find a meaningful story and escape from the anxieties of dislocation. Delivered as a film-letter to the protagonist’s little sister in rural China, the film considers his self-exile as well as mental health struggles that were too shameful to address back home.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
The initial reaction and review of Netflix's newly released romantic comedy featuring Haley Lu Richardson and Ben Hardy. Spoilers included!
As many of us know, Marvel Studios has taken an interest in women-led superhero films, but some of us are oblivious to the women behind the camera and pen.
When diverse representation is featured on-screen, it oftentimes comes with strings attached that undermine the message they were trying to send. This can be attributed to the fact that behind-the-screen, the industry primarily does not reflect the breadth of diverse difference that is present in daily life. That’s why when something as powerful and authentic as Minari comes along, it is both incredibly wonderful and needs a large audience to witness it.
A man invents the internet with the help of an otherworldly force. But he soon learns that not all is what it seems. A delightful sequence of images for a delightful fictional story about what lies behind.
After We Collided is a sequel to last year’s After, which itself was based on Anna Todd’s 2014 novel of the same name, and which was originally published as a Harry Styles-centric fan-fiction on WattPad (a similar path as E.L. James’ Fifty Shades of Grey series).