"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Juan is a 35 year old man whose hobby is bodybuilding. He works in a factory, where despite its huge and muscled physique, is mistreated by his bosses and colleagues. His biggest dream is to leave that life gray and a better life, especially owning your own gym, but has yet to collect some money. And that is, when, in the evening of another of his routine days, attends a terrible episode before which makes a decision that suddenly puts a moral crossroads.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
The one-way journey went to the desert that refused to offer an answer or a transcendence.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
This 2023 film serves as the final chapter of the Indiana Jones franchise.