
Three guys travel by car and boat from Oslo to Balkans.
Vicenza, a Brazilian girl, goes on a quest by herself to find out who her birth father is by gathering clues.
The intrepid archaeologist's latest adventure is an exciting, nostalgia-driven exploration of clashing ideologies amid ever-changing social dynamics and technological advancements.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.