Youngwu and Jiyoung have been married for ten years and have long since grown apart. He, a publisher, is having an affair with a writer and she, a housewife, feels drawn to a gentle young Muslim she meets named Kerim. When he is obliged to leave the country she decides to follow him to Varanasi. Leaving her husband a note saying that she is away visiting relatives, she spends her time wandering along the banks of the Ganges and down the busy streets of this Hindu city in search of Kerim. When he turns on the television her husband is astonished to see his wife covered in ashes, emerging from a restaurant that has been bombed by terrorists. Youngwo decides to head for India to find his wife and obtain an explanation for her behaviour.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
