The Grainy Landscape, Worn-Out Household, and Remembering the Past in 28 Years Later
How do zombie films shine new light in the post-Covid and post-Brexit era?

In a place without adults, children can do anything they want. They play at war, build robots, invent new music and new rules. They organise themselves and do not let anyone interfere. Much of what looks chaotic follows its own logic, thus reflecting the adult world. A cautiously anarchistic film study about children’s creativity.
How do zombie films shine new light in the post-Covid and post-Brexit era?
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force
"Be good. It doesn’t mean you can’t be tough. It doesn’t mean you always have to be nice. Just be good."
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.