Living in The Real World in 'Dog Gone Trouble'
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.

From Almost Night Till Almost Day was Chris Seaver's attempt to make fun of all of Quentin Tarantino's films in ONE movie. But the biggest inspiration was of course, From Dusk Til Dawn. It's almost a shot for shot parody of that film with Seaver's wacky comedy thrown in and his LBP style. Shot in 1996, two weeks BEFORE the original movie came out, he used Quentin Tarantino's script to base the movie off of, it was at the time the Biggest LBP film ever - with Action, lots of blood, Gay Vampires, home made squibs, this and that and what not and so forth. It has even been seen by Quentin himself when passed along to him through many a friend and was mentioned on his appearance on The Keenan Ivory Wayans Show.
A pampered dog who gets lost and has to learn to live on his own while being flexible with surroundings.
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
What are we willing to walk through to see our dreams come to pass? Our minds might be so wholly alive with the passions we carry and the plans we make to see these things become all we wish them to be, yet life doesn’t always want to come alongside. Instead, obstacles arise, both physical and mental, which attempt to dissuade us or even prevent us from moving forward, stalling or stagnating the momentum to achieve what we desire. The age-old question remains….can we overcome? Or will we BE overcome?
21 Bridges isn’t going to revolutionize action cinema. However, its action components are respectable. Every act is visibly clear, and as time moves forward, the film changes its conflictual rhythm.