"Miss You, Love You" Explores Grief and Unlikely Connection
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.

Interview with director Z. Lokman at his home on 16 June 2019. Interspersed with many clips from his films. "Handal pendekar di gelanggang silat / Handal pengarah di panggung wayanglah!"
Miss You, Love You brings together two people who were meant to find each other at that moment in their lives.
'Wolf Like Me' works if you want a show to shut off your brain while watching. If you think too much, you'll hurt yourself.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
'Tuca and Bertie' (2019) is an animated series centering around best friends of the same name as they traverse the challenges of their thirties.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.