Asha's 'Wish' (2023)
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.

The small, diligent chorus girl Dolly Hansen is engaged at one of the city's big revue theaters, and one evening she has to step in and double for the prima donna who has called in sick. She is successful, and this gives her the courage to ask the director for a small salary increase. However, this is taken very unkindly, and such a heated discussion arises between them that the young girl suddenly finds herself in the street, fired on grey paper. But Dolly is not the type to give up. Untraditional self-centeredness soon creates a lot of attention around her.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
For one widowed father and his five kids, an extraordinary gift will change their lives forever.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
Magnolia focuses on how one’s childhood and trauma relate to their confidence and self.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.