
In 1957, Dorothy and Edmund Yates were committed to an institution for the criminally insane, she for acts of murder and cannibalism and he for covering up her crimes. Fifteen years later, they are pronounced fit for society and released. However, in Dorothy's case the doctors may have jumped the gun a bit. Edmund and eldest daughter, Jackie, try to discover just how far Mother's bloodlust has taken her. Meanwhile, youngest daughter Debbie begins to explore the crazy roots of her family tree as fully as possible.
Personalities clash and tempers fume in a family-run Chicago restaurant
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.