‘Booksmart’: A Fun Coming-of-Age Comedy
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.

1937: Young Emily is trapped in a nightmare, chronic agoraphobia and a strange, domineering mother have turned their sprawling gothic mansion into a prison. On the brink of madness, Emily is haunted by lurking malevolent forces, her only hope, the desperate belief her missing father could save her from this living hell. But as she longs for his return, Emily is tormented by visions of a sinister, gnarled black hand—a spectre haunting her earliest memories. It is a homage to the unsettling atmosphere of 1950s horror cinema, echoing the terror of THE HAUNTING and the ghostly dread of THE INNOCENTS.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
Inuit girls use their Inuit tradition to hunt down alien monsters, enough said.
Dead Poets Society brilliantly combines defeat and optimism, rejection and love, craziness and daring, fear and freedom.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
A commentary on the exploitation of the elderly fueld by the inherent greed of capitalism.