Films that Avert the Idea Animation’s Only for Kids
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.

The boisterous good humor of Jurmala, the nickel-mine owner, is, if anything, only barely dented by the raging battles in Finland before, during and after World War Two. In fact, everywhere he goes, he meets prospective customers on all sides of the conflict with his all-inclusive greeting "Friends, Comrades." Indeed, the resource he is wrenching from the earth's bowels is necessary to all forms of industrial activity, and is especially necessary for military applications. Thus, he has no reason to fear that he will ever run out of customers. This doesn't prevent him from using every possible means to entice them. At home, his relationship with his wife is not so prosperous, and they resort to some extraordinary means to try and keep on an even keel.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
Despite being an over-talked-about piece of media, 'Euphoria' has some interesting articles about it with personal angles that oppose the average tendency to be generic.
The shattering of what we strive to maintain as reality. It is certainly truthful to state that most, if not all, of us have experienced moments of genuine mental stress. Regardless of what might be the cause, the sheer unsettledness, the pressure that weighs upon us is a tangible force that CAN seem insurmountable. However, more often than not, this is only a temporary , one we can come through and simply move on from.
We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.
Dracula evolved from a person to a monster and then from a monster to a person.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.