In a small, carpeted space reminiscent of an oriental parlor, a dreamlike assembly of odd characters is gathered to perform various seemingly significant acts: a bodybuilder flexes his muscles to produce sweat that drips into a frying pan and quickly evaporates, a body-contortionist bends into an impossible shape only to implode in a cloud of white dust, and a kneeling man simultaneously chops two planks of wood in half with his bare hands.
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?
Viewers get a glimpse of life of mediocrity in a world where humans and cartoon characters live together in this comeback.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
