We're 'All Together Now' to Give a Hand
Can a homeless yet optimistic teenage girl learn to accept a helping hand?

Peter Simon, a famous American writer, deserts his girlfriend Eva to live incognito at a small Normandy inn. Eva shams her own murder for revenge. Meanwhile, a young reporter, Françoise, has tracked Peter down. The news of the crime quickly spreads and, believing Peter to be the murderer, the village is in an uproar. Despite misadventures galore, everything turns out right and Peter takes Françoise on their honeymoon.
Can a homeless yet optimistic teenage girl learn to accept a helping hand?
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
As a frequent “the book was better” extoller, this movie was well worth the watch.
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
What happens to an inseparable bond when love for competing morphs into competing for love?