I Feel The Weight of “The Weight”
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year

A woman murders her disabled husband and informs his brother (with whom she is having an affair), but she realizes she has misdialed and accidentally confessed her crime to a stranger. The caller attempts to blackmail her, but when he tries to rape her she kills him in the struggle. Worse still, her doctor and lover inform her to say nothing because her husband has been dead for eight months and everything that has happened she has imagined.
The Weight is highly recommended, will transport you back to its Great Depression-era setting and will have you rooting for the protagonist harder than most films this year
‘Candyman’ (2021) builds upon the original 1992 film by presenting the myth of Candyman not only as an example of black pain, but as an opportunity for black vengeance.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.