“Host:” Quarantine Horror for the Online Generation (Review)
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

Jed prepares to interview French cineaste and self-appointed expert on the nature of love - Thierry Grimandi. The worldly and somewhat jaded Jed is dead-set on dismissing the auteur's musings as pompous and, well French, until his own relationship with Cheryl starts to fall apart and he is forced to re-evaluate the illusive subject. Soon everyone is talking about love: his relationship counsellor, drinking buddy Marcus and Marcus' girlfriend Sophie Beginnings, endings, tricks...could the French be on to something?
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
Disney's live-action remake is vibrant and beautiful, with updated music and classic enthusiasm, but it fails to push the envelope and provide nuance for Ursula.
Marvin Gaye's powerful music addresses the same themes as "Da 5 Bloods" and elevates the film to even greater heights.
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.