‘Booksmart’: A Fun Coming-of-Age Comedy
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.

When young Sara stumbles upon a bundle of old letters and drawings, she finds herself transported back to the 19th Century world of her ancestor David. 1810. David is a young conscript returning home from Napoleon's brutal Russian campaign. Forced to recognise that he has no future at home in the Swiss countryside, he sets off for North America in the hope of a better life, but he never forgets the homeland. Set between the dramatic context of the Napoleonic wars and the mass exodus that followed in the years after to America, “Fremds Land” is a film about emigration and homesickness, about the universal need to create a better life, wherever that may be.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
I was able to sit down and talk with up and coming producer and director Ryan Polomski who talked about his latest project Raymond Lewis: LA Legend. It's a documentary about basketball star Raymond Lewis and here is what I found out.
The story continues in 'Tall Girl 2' as Jodi finds herself playing the lead role in the school's musical production.
I can say without question, that this is the first movie I’ve ever seen where art imitates life so much that I could 100% identify with it on a personal level. The predominately Black cast of characters are people with hopes, dreams, fears, and ambitions.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.