FREEFALL is the first drama to tackle the extraordinary financial crisis Britons are living through. Helmed by multiple BAFTA-winning director Dominic Savage, the film takes a startling and provocative look at the events that caused people's lives to spiral out of control. With pace, edge and real emotional punch, it gives a unique insight into how the country came so perilously close to the edge.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
