Disney's 'Noelle' Gives Us a Christmas Adventure
The movie is centered around the title character who goes on a Christmas adventure.

The concert "Pasikeist" at the Compensa Concert Hall in Vilnius drew you into the visual and mystical world of music from the very first sound. In the ruins of a future house, as the red clock strikes an ever later hour, reality and dreams begin to mix, guests appear and everything is not as it seems.
The movie is centered around the title character who goes on a Christmas adventure.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
‘Barbie’ is an entertaining, meaningful piece of filmmaking with a heartfelt message.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.