
In a modern retelling of Tod Browning's "Freaks", "Freakshow" tells the story of a group of criminals who chose to hide out by working security at a traveling circus. At first, they plot with an insider to steal the ticket sales, but the wily Lucy has bigger plans. She convinces the gang to let her seduce and marry the aging circus owner, Lon, in order to secure the entire circus fortune after he "suffers an accident". "People die all the time," Lucy says. The freaks are on to their scheme, however, and when the youngest of them is caught by the ruthless gang, they show no mercy to ensure her silence. When the circus folk find the child's remains, they swear vengeance, and no one is safe from their fury--least of all, the wily Lucy.
"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.
Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.