Spider-Man: Into The Spider-Verse Tells Us to be Our Own Heroes.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.

51-year-old Sakurako Sato is a single, poor woman who works for a home care service. When she was young, her father failed in business and evaporated, leaving her with a large debt. She has raised her younger sister, Umeko and has reached this age without a single happy memory of love or fun. In addition, Sakurako has a very poor appearance, and children in the neighborhood make fun of her, calling her "Frankenwoman," which makes her despicable to others. While taking care of Tamura, a wealthy old man she is visiting, Sakurako meets a handsome boy named Ryuji. Sakurako falls in love with him at first sight. When it is eventually discovered that Ryuji is in debt and is being threatened by yakuza gangsters, Sakurako struggles to raise money to help him by working at night at a cabaret club for mature women.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
The film blends reality and the supernatural world together, leaving the viewer unsure of what’s real and what’s merely a figment of Michael’s agitated imagination.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
Since Season 2 of Peacemaker is currently airing, let’s revisit the movie that started it all.