Long-haired, barefoot people. Free love! Veganism! Experiments with drugs... The sixties, right? Not quite. In 1900 a group of middle class kids revolted against their time and started the original alternative community - Monte Verità, the mountain of truth. A community based on veganism, feminism, pacifism and free love. This creative documentary mixes interviews, archive and animation in a beautiful combination bringing you straight back to the early 1900 as seen through the eyes of these young radicals. The documentary Freak Out tells the untold story of the birth of the alternative movement and unfold the uncanny similarities between our time and what they revolted against in the early 1900s.
This story solidified my choices to consume a more plant-based diet and nearly made me cancel my subscriptions to big corporations like Amazon. The narrative was perfectly crafted and on par with Bong Joon-Ho’s other major works; Parasite and Snowpiercer.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.
A dark film in the tradition The Brother’s Grimm.
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
In a world where we hear ringers and beepers at every corner, technology feels inescapable. This is why technology is often an enemy in Digital J-horrors, like One Missed Call.
